The Business Case for Reading Novels - Anne Kreamer - Harvard Business Review

I've been a devoted, even fanatical reader of fiction my whole life, but sometimes I feel like I'm wasting time if I spend an evening immersed in Lee Child's newest thriller, or re-reading The Great Gatsby. Shouldn't I be plowing through my in-box? Or getting the hang of some new productivity app? Or catching up on my back issues of The Economist? That slight feeling of self-indulgence that haunts me when I'm reading fake stories about fake people is what made me so grateful to stumble on a piece in Scientific American Mind by cognitive psychologist Keith Oatley extolling the practical benefits to be derived particularly from consuming fiction.

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In Hypermusic Prologue, physicist Lisa Randall re-imagines her extradimensional theories of the universe as opera

Since writing a bestselling book on her fascinating and complex extra-dimensional theory of the universe, Harvard physicist Lisa Randall has been busy re-imagining it as an appropriately cerebral art form—opera. After three years of development, Hypermusic Prologue: A Projective Opera in Seven Planes premiered at Paris’s prestigious Centre Pompidou in June and, like Randall’s book Warped Passages: Unraveling the Mysteries of the Universe’s Hidden Dimensions [Buy], it manages to translate the impenetrable world of theoretical physics into something that not only appeals to scientists, but to anyone willing to look beyond the obvious for clues about the nature of reality.

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